Written by Manisha Lakhe
Dhanush Charms, Kajol Doesn’t.
Dhanush takes the success of his Tamil hit ‘VIP’ and sets the sequel in Bombay. He is Raghuvaran, the engineer who has saved the SRA project and has loyal engineer fans, working honestly at Anitha Constructions. Kajol makes a comeback to cinema as Vasundhara, a builder/architect tycoon who hates Raghuvaran’s guts for refusing a job with her. She makes sure his company loses all contracts. But Raghuvaran is VIP! He will not back down. He makes her see the wrongs she is about to do, and wins her over!
The movie has been shot in Tamil and dubbed in Hindi, and even though that makes the film a tad stilted, you will still come away charmed by Dhanush. He can spout one liners as well as the Super Star Rajini (he’s getting there, he’s getting there!) and is good at comedy too. The comedy that involves drunk Dhanush, angry wife is meant for mass appeal. And the dances on the street (which is a must in any South movie) show that the audience is meant to dance in the aisles. But does the film succeed in telling a story, and well?
Dhanush as Raghuvaran is a charmer. He makes you smile when he’s pretending to be drunk, and makes you want to hug him when he talks to his mother (Saranya Ponvannan) in times of trouble. You groan at the characterization of his angry wife (Amala Paul) and she doesn’t come across as an educated person, let alone a dentist.
What was alarming to watch is Kajol. As a rude, rich head of an architectural firm, Kajol plays Vasundhara who begins to hate Raghuvaran who refuses a job with her saying, ‘Sher ki dum banne se achha hai main billi ka sar ban ke rahoon’ (‘I’d rather be the head of a cat than the tail of a tiger’). Why is her character so rude? There is no explanation. And Kajol looks terrible as she walks almost always in slow motion, and the meanness of her character makes her look rather ghastly. She looks more plastic than human. Nothing, nothing explains why she wears the clothes she wears, and the rather alarming high heels (which architect in their right mind will ever wear such high heels at a construction site?) or why she does not move a single facial muscle while speaking. It makes for an alarming sight.
Thankfully Dhanush makes up for this ghastly vision by the decency of his character. It is endearing to see how he loves his moped and cares for the army of engineers he works with. He is such a good guy, you understand why his boss Balaji (Balaji Mohan) brings his life savings to help him start a company called VIP Constructions. Even if you have not seen the original film, the sequel stands on its own. The street dance items are fun watch but the translation of dialog: like when the policemen say, ‘These are engineers, how can we evict them?’, you wonder what do the policemen mean?
The last twenty minutes where Dhanush manages to persuade Kajol that the Amusement Park project will be dangerous and the rains, lights going off, both drinking wine, Dhanush’s wife making dosa for Kajol, all seem to be too over the top (even as a South film). You know that only a montage will push the film towards its rightful end.
(this review appears on nowrunning dot com)